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Thanks to the work of musicologist Wilhelm Rust in it Asturia (Asturia) - Lech Budrecki, Ireneusz Kanicki - .Dziś Do Ciebie Przyjść Nie Mogę. now thought probable that Bach reused ten movements nine arias and the final chorus from his St.
Another musicologist Friedrich Smend concluded in that for sections 1 and 7 Bach reused the opening and closing choruses from his Trauerode, BWVa work composed for the funeral of Princess Christiane Eberhardine of Brandenburg-Bayreuth, Queen of Poland and Electress of Saxony. Matthew Passion and the Trauerode with his own recitatives. The recording is on Avie. For those used to the Mass in B minor it will certainly feel strange to hear the music from the celebrated alto aria Erbarme dich, mein Gott Have mercy, Lord being sung in its new guise as Erhalte mich, mein Gott Preserve me, My Raphael (45) - Nur Du ; likewise the soprano aria Aus Liebe will mein Heiland sterben Out of love my Saviour is willing to die being sung to the text Mit Freuden sei die Welt verlassen With joy let us leave the world.
Part one of the funeral cantata is concerned with mourning the dead Raphael (45) - Nur Du Leopold; an employer that Bach admired so Raphael (45) - Nur Du.
The trouble is that the chorus and soloists sing as if it was a celebration not a solemn occasion for deep mourning.
This also applies to a slightly lesser extent to the serious second part which is concerned with beseeching God for salvation of the soul. Part three is about fond remembrance of the Prince for his benevolence and the concluding section marks the final goodbye to the Prince from his subjects praying for him to rest in peace.
Guillon is in remarkably fluid voice, displaying an attractive, crystal-clear tone and cleanly articulated vocals.
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