The post-Atlantic hitmakers are just as powerful. The Bar-Kays hit the ground running with a medley of "Son of Shaft" and "Feel It": the former is a funk explosion that makes the original Isaac Hayes composition sound like an exercise in restraint, while the latter is a sick, organ-heavy extended vamp with a memorably lascivious monologue "I'm told that havin' fun is like havin' sex : That is, the more you put in to it, the more you're gonna get out of it".
David Porter, who started coming into his own as a performer at the end of the 60s after years of songwriting, is featured in a plus-minute orchestral soul suite that devotes ten and a half minutes to the heartbreak ballad "Can't See You When I Want To", the most epic and gut-wrenching performance included in the set.
The film crew was told to capture the artists singing, but also get shots of the crowd dancing. And lastly, throughout the whole show, the I Wondered - Espiahi - Exodus (All Media) commotion was communicating over walkie-talkies.
As told, the production of the Wattstax Concert was very stressful. Guards stamped tickets and told concertgoers where their seats were located. The stadium's seats filled up hastily, while the production-team was making sure everything was good to go. In Januarya restored version of the film played at the Sundance Film Festival, followed by a theatrical reissue in June by Sony Pictures Repertory.
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