Blow Wind Blow - Tom Waits - Franks Wild Years (1987)/ Swordfishtrombones (1983)

Download Blow Wind Blow - Tom Waits - Franks Wild Years (1987)/ Swordfishtrombones (1983)

The shared title of the album and the play is an iteration of "Frank's Wild Years", a song from Waits' album Swordfishtrombones. The play had its world premiere at the Briar St. All tracks are written by Tom Waits, except where noted. Recorded by Danny Leake and Biff Dawes. From Wikipedia, the free encyclopedia. Redirected from Blow Wind Blow. Not to be confused with the song "Frank's Wild Years" on Swordfishtrombones.

Tom Waits. Retrieved November 17, The Encyclopedia of Popular Music 5th concise ed. Omnibus Press. Los Angeles Times. You gotta take me on into the Sol Marianela - Hasta Nunca Take me on into the night Blow me away Blow me away.

Mary's on the black top 2 There's a husband in the doghouse 3 In the middle of a shakedown 4 I got quiet as a church mouse. Put my Raleigh's 5 on the dashboard Sugar daddy 6 caught a polocar 7 There's no solitary tap dance Way down here. Blow wind blow Wherever you may go Put on your overcoat Take me into the night Take me into the night Blow me away.

I ride upon a field mouse I was dancin' in the slaughterhouse And if you swing along the beltway 8 You skid along the all day. And if you'll blow wind blow Wherever you may go Put on Blow Wind Blow - Tom Waits - Franks Wild Years (1987)/ Swordfishtrombones (1983) overcoat Take me away You gotta take me on into the night Well, you take me on into the night.

Known covers: Secret World. Astrid Seriese. Blow Wind Blow - Tom Waits - Franks Wild Years (1987)/ Swordfishtrombones (1983)re-released in June 17, Ripped from low resolution audience tape. Tom Waits wrote a song called "Frank's Wild Years" for his Swordfishtrombones album, then used the title minus its apostrophe for a musical play he wrote with his wife, Kathleen Brennanand toured with in The Franks Wild Years album, drawn from the show, is subtitled, "un operachi romantico in two acts," though the songs themselves do not carry the plot.

Rather, this is just the third installment in Waits ' eccentric series of Island Records albums in which he seems most inspired by German art song The Moon Got In My Eyes - Bing Crosby - Remember Me carnival music, presenting songs in spare, stripped-down arrangements consisting of instruments like marimba, baritone horn, and pump organ and singing in a strained voice that has been artificially compressed and distorted.

The songs themselves often are conventional romantic vignettes, or would be minus the oddities of instrumentation, arrangement, and performance. For example, "Innocent When You Dream," a song of disappointment in love and friendship, has a winning melody, but it is played in a seesaw arrangement of pump organ, bass, violin, and piano, and Waits sings it like an enraged drunk.

He points out the arbitrary nature of the arrangements by repeating "Straight to the Top," done as a demented rhumba in act one, as a Vegas-style Frank Sinatra swing tune in act two. The result on record may not be theatrical, exactly, but it certainly is affected.

It also Freedom In Zion - Peter Cartriers - The EP -07 the quality of an inside joke that listeners are not being let in on.

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