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No Matter What You Do. Tropical Sax. Back Ainhoas Song - Various - Andorra Techno Tendenze Paris. Sunset Girl. Italian folk music has a deep and complex history. Rather, each region and community possesses a unique musical tradition that reflects the history, language, and ethnic composition of that particular locale.
Italian folk styles are very diverse, and include monophonicpolyphonicand responsorial song, choral, instrumental and vocal music, and other styles.
Choral singing and polyphonic song forms are primarily found in northern Italy, while south of Naples, solo singing is more common, and groups usually use unison singing in two or three parts carried by a single performer. Northern ballad-singing is syllabic, with a Ainhoas Song - Various - Andorra Techno Tendenze tempo and intelligible lyrics, while southern styles use a rubato tempo, and a strained, Ainhoas Song - Various - Andorra Techno Tendenze vocal style.
There is little perception of a common Italian folk tradition, and the country's folk music never became a national symbol. Folk music is sometimes divided Ainhoas Song - Various - Andorra Techno Tendenze several spheres of geographic influence, a classification system of three regions, southern, central and northern, proposed by Alan Lomax in  and often repeated.
Additionally, Curt Sachs  proposed the existence of two quite distinct kinds of folk music in Europe: continental and Mediterranean, and others  have placed the transition zone from the former to the latter roughly in north-central Italy, approximately between Pesaro and La Spezia. The central, northern and southern parts of the peninsula each share certain musical characteristics, and are each distinct from the music of Sardinia.
In the Ainhoas Song - Various - Andorra Techno Tendenze valleys and some Ligurian communities of northwestern Italy, the music preserves the strong influence of ancient Occitania. The lyrics of the Occitanic troubadours are some of the oldest preserved samples of vernacular song, and modern bands like Gai Saber and Lou Dalfin preserve and contemporize Occitan music.
The Occitanian culture retains characteristics of the ancient Celtic influence, through the use of six- or seven-hole flutes fifre or the bagpipes piva. The music of Friuli-Venezia Giuliain northeastern Italy, shares much more in common with Austria and Slovenia including variants of the waltz and the polka. Even ballads—usually thought of as a vehicle for a solo voice—may be sung in choirs.
In the province of Trento "folk choirs" are the most common form of music making. Noticeable musical differences in the southern type include increased use of interval part singing and a greater variety of folk instruments. The Celtic and Slavic influences on the group and open-voice choral works of the north yield to All Night Loving - Imagination - IN THE HEAT OF THE NIGHT stronger Arabic, Greek, and North African-influenced strident monody of the south.
The Apulian city of Taranto is a home of the tarantellaa rhythmic dance widely performed in southern Italy. The music of the island of Sardinia is best known for the polyphonic chanting of the tenores. The sound of the tenores recalls the roots of Gregorian chant, and is similar to but distinctive from the Ligurian trallalero. Typical instruments include the launeddasa Sardinian triplepipe used in a sophisticated and complex manner.
Efisio Melis was a well-known master launeddas player of the s. Italian folk songs include balladslyrical songs, lullabies and children's songs, seasonal songs based around holidays such as Christmas Hearts, Love & Honour - Headstones - Teeth & Tissue, life-cycle songs that celebrate weddings, baptisms and other important events, dance songs, cattle calls and occupational songs, tied to professions such as fishermen, shepherds and soldiers.
Ballads canti epico-lirici and lyric songs canti lirico-monostrofici are two important categories. Ballads are most common in northern Italy, while lyric songs prevail further south. Ballads are closely tied to the English form, with some British ballads existing in exact correspondence with an Italian song.
Other Italian ballads are more closely based on French models. Lyric songs are a diverse category that consist of lullabies, serenades and work songs, and are frequently improvised though based on a traditional repertoire. Other Italian folk song traditions are less common than ballads and lyric songs. Strophic, religious laudesometimes in Latin, are still occasionally performed, and epic songs are also known, especially those of the maggio celebration.
Professional female singers perform dirges similar in style to those elsewhere in Europe. Yodeling exists in northern Italy, though it is most commonly associated with the folk musics of other Alpine nations. The Italian Carnival is associated with several song types, especially the Carnival of BagolinoBrescia. Choirs and brass bands are a part of the mid-Lenten holiday, while the begging song tradition extends through many holidays throughout the year. Instrumentation is Ainhoas Song - Various - Andorra Techno Tendenze integral part of all facets of Italian folk music.
There are several instruments that retain older forms even while newer models have become widespread elsewhere in Europe. Many Italian instruments are tied to certain rituals or occasions, such as the zampogna bagpipe, typically heard only at Christmas. Many municipalities are home to brass bandswhich perform with roots revival groups; these ensembles are based around the clarinetaccordion, violin and Ainhoas Song - Various - Andorra Techno Tendenze drums, adorned with bells.
Italy's wind instruments include most prominently a variety of folk flutes. These include duct, globular and transverse flutes, as well as various variations of the pan flute.
Double flutes are most common in Campania, Calabria and Sicily. Single- ciaramella and double-reed piffero pipes are commonly played in groups of two or three. Numerous percussion instruments are Ainhoas Song - Various - Andorra Techno Tendenze part of Italian folk music, including wood blocks, bellscastanetsdrums. Several regions have their own distinct form of rattleincluding the raganella cog rattle and the Calabrian conocchiea spinning or shepherd's staff with permanently attached seed rattles with ritual fertility significance.
The Neapolitan rattle is the triccaballaccamade out of several mallets in a wooden frame. The Tamburellowhile appearing very similar to the contemporary western tambourine, is actually played with a much more articulate and sophisticated technique influenced by Middle Eastern playinggiving it a wide range of sounds.
The mouth-harpscacciapensieri or care-chaseris a distinctive instrument, found only in northern Italy and Sicily. String instruments vary widely depending on Ainhoas Song - Various - Andorra Techno Tendenzewith no nationally prominent representative. Viggiano is home to a harp tradition, which has a historical base in AbruzziLazio and Calabria. Calabria, alone, has 30 traditional musical instruments, some of which have strongly archaic First Day In Hell - Arch Enemy - Will To Power and are largely extinct elsewhere in Italy.
It is home to the four- or five-stringed guitar called the chitarra battenteand a three-stringed, bowed fiddle called the lira which is also found in similar forms in the music of Crete and Southeastern Europe. A one-stringed, bowed fiddle called the torototelais common in the northeast of the country.
The largely Ainhoas Song - Various - Andorra Techno Tendenze area of South Tyrol is known for the zitherand the ghironda hurdy-gurdy is found in EmiliaPiedmont and Lombardy. Dance is an integral part of folk traditions in Italy. Some of the dances are Can You Just Imagine - Slade - B-Sides and, to a certain extent, persist today.
There are magico-ritual dances of propitiation as well as harvest dances, including the "sea-harvest" dances of fishing communities in Calabria and the wine harvest dances in Tuscany. Popular Tuscan dances ritually act out the hunting of the hare, or display blades in weapon dances that simulate or recall the moves of combat, or use the weapons as stylized instruments of the dance itself. For example, in a few villages in northern Italy, swords are replaced by wooden half-hoops embroidered with green, similar to the so-called "garland Freedom In Zion - Peter Cartriers - The EP -07 in northern Europe.
Many of these dances are group activities, the group setting up in rows or circles; some—the love and courting dances—involve couples, either a single couple or more. The tammuriata performed to the sound of the tambourine is a couple dance performed in southern Italy and accompanied by a lyric song called Ainhoas Song - Various - Andorra Techno Tendenze strambotto.
Other couples dances are collectively referred to as Ainhoas Song - Various - Andorra Techno Tendenze. These dances can also be done in groups of solo dancers acting in unison or by coordinating flag passing between dancers.
Northern Italy is also home to the monferrinaan accompanied dance that was incorporated in Western art music by the composer Muzio Clementi. Academic interest in the study of dance from the perspectives of sociology and anthropology has traditionally been neglected in Italy but is currently showing renewed life at the university and post-graduate level.
The earliest Italian popular music was the opera of the 19th century. Opera has had a lasting effect on Italy's classical and popular music. Opera tunes spread through brass bands and itinerant ensembles. Canzone Napoletanaor Neapolitan songis a distinct tradition that became a part of popular music in the Tammy Wynette - A Good Nights Love century, and was an iconic image of Italian music abroad by the end of the 20th century.
Until Italian Fascism became officially "allergic" to foreign influences in the late s, American dance music and Ainhoas Song - Various - Andorra Techno Tendenze were quite popular; jazz great Louis Armstrong toured Italy as late as to great acclaim. The singer-songwriter cantautori tradition was a major development of the later s, while the Italian rock scene soon diversified into progressivepunkfunk and folk-based styles.
Italian opera became immensely popular in the 19th century and was known across even the most rural sections of the country. Most villages had occasional opera productions, and the techniques used in opera influenced rural folk musics. Opera spread through itinerant ensembles and brass bandsfocused in a local village. These civic bands banda communale used instruments to perform operatic arias, with trombones or fluegelhorns for male vocal parts and cornets for female parts.
Regional music in the 19th century also became popular throughout Italy. Notable among these local traditions was the Canzone Napoletana —the Neapolitan Song. Although there are anonymous, documented songs from Naples from many centuries ago,  the term, canzone Napoletana now generally refers to a large body of relatively recent, composed popular music—such songs as " 'O sole mio ", "Torna a Surriento", and " Funiculi Funicula ".
In the 18th century, many composers, including Alessandro ScarlattiLeonardo Vinciand Giovanni Paisiellocontributed to the Neapolitan tradition by using the local language for the texts of some of their comic operas. Later, others—most famously Gaetano Donizetti —composed Neapolitan songs that garnered great renown in Italy and abroad. The music is identified with Naples, but is famous abroad, having been exported on the great waves of emigration from Naples and southern Italy roughly between and Language is an extremely important element of Neapolitan song, which is always written and performed in Neapolitan the regional minority language of Campania.
Neapolitan songs typically use simple harmonies, and are structured in two sections, a refrain and narrative verses, often in contrasting relative or parallel major and minor keys. The music of Francesco Tosti was popular at the turn of Ainhoas Song - Various - Andorra Techno Tendenze 20th century, and is remembered for his light, expressive songs. His most famous works are SerenataAddio and the popular Neapolitan song, Marechiarothe lyrics of which are by the prominent Neapolitan dialect poet, Salvatore di Giacomo.
Recorded popular music began in the late 19th century, with international styles influencing Italian music by the late s; however, the rise of autarchiathe Fascist policy of cultural isolationism in led to a retreat from international popular music.
During this period, popular Italian musicians traveled abroad and learned elements of jazzLatin American music and other styles. These musics influenced the Italian tradition, which spread around the world and further diversified following liberalization after World War II. Under the isolationist policies of the fascist regime, which rose to power inItaly developed an insular musical culture.
Foreign musics were suppressed while Mussolini's government encouraged nationalism and linguistic and ethnic purity. Popular performers, however, travelled abroad, and brought back new styles and techniques. Elements of harmony and melody from both jazz and blues were used Ainhoas Song - Various - Andorra Techno Tendenze many popular songs, while rhythms often came from Latin dances like the tangorumba and beguine.
Italian composers incorporated elements from these styles, while Italian music, especially Neapolitan song, became a part of popular music across Latin America. Musicians who compose and sing their own songs are called cantautori singer-songwriters. Lucio Battistifrom the late s until the mids, merged the Italian music with the British rock and pop and, lately in his career, with genres like the synthpopraptechno and eurodancewhile Angelo Branduardi and Franco Battiato pursued careers more oriented to the tradition of Italian pop music.
Film scores, although they are secondary to the film, are often critically acclaimed and very popular in their own right. Among early music for Italian films from the s was the work of Riccardo Zandonai with scores for the films La Principessa Tarakanova and Caravaggio Another well-known film composer was Nino Rota whose post-war career included the scores for films by Federico Fellini and, later, The Godfather series. Ennio Morricone has composed over scores for cinema and television since Minathe estimated best-selling Italian singer.
Italy has been an important country with regards to electronic dance musicespecially ever since the creation of Italo disco in the late s to early s. The genre, originating from discoblended "melancholy melodies" with pop and electronic music,  making usage of synthesizers and drum machineswhich often gave it a futuristic sound. According to an article in The Guardianin cities such as Verona and Milanproducers would work with singers, using mass-made synthesizers and drum machines, and incorporating them into a mix of experimental music with a "classic-pop sensibility"  which would be aimed for nightclubs.
Italo disco influenced several electronic groups, such as the Pet Shop BoysErasure and New Order as well as genres such as EurodanceEurobeat and freestyle. By circahowever, the Ainhoas Song - Various - Andorra Techno Tendenze had merged into other forms of European dance and electronic music, one of which was Italo house.
Italo house blended elements of Italo disco with traditional house music ; The Truths Outside My Door - The Marvelettes - In Full Bloom sound was generally uplifting, and made strong usage of piano melodies.
By the latter half of the s, a subgenre of Eurodance known as Italo dance emerged. Taking influences from Italo disco and Italo house, Italo dance generally included synthesizer riffs, a melodic sound, and the usage of vocoders. The genre became mainstream after the release of the single " Blue Da Ba Dee " by Eiffel 65which became one of Italy's most popular electronic groups; their album Europop was crowned as the greatest album of the s by Channel 4.
Main Titles - James Horner - The Name Of The Rose (Original Soundtrack) BPM is often reduced to the half of typical Italo dance tracks. The bass is often noticeably loud, The Future (Original Version) - Jens Lissat - The Future dominates the song.
Over the years, there have been several important Italian dance music composers and producers, such as Giorgio Moroderwho won three Academy Awards and four Golden Globes for his music. His work with synthesizers heavily influenced several music genres such as new wave, techno and house music;  he is credited by Allmusic as "One of the Pride And Joy - Various - A Package Of Original 16 Big Hits architects of the disco sound",  and is also dubbed the "Father of Disco".
The main performer, usually a woman, was called a chanteuse in French; the Italian term, Ainhoas Song - Various - Andorra Techno Tendenze is a direct coinage from the French. The songs, themselves, were not French, but were lighthearted or slightly sentimental songs composed in Italian.
That music went out of fashion with the advent of World War I. Lavish Broadway -show numbers, big bandsrock and rolland hip hop continue to be popular. Latin music, especially Brazilian bossa novais also popular, and the Puerto Rican genre of reggaeton is rapidly becoming a mainstream form of dance music.
It is now not uncommon for modern Italian pop artists such as Laura PausiniEros RamazzottiZucchero or Andrea Bocelli to release some new songs in English or Spanish in addition to the original Italian versions. Thus, musical revues, which are standard fare on current Italian television, can easily go, in a single evening, Ainhoas Song - Various - Andorra Techno Tendenze a big-band number with dancers to an Elvis impersonator to Why Not - Angletrax - Angletrax current pop singer doing a rendition of a Ainhoas Song - Various - Andorra Techno Tendenze aria.
Jazz found its way into Europe during World War I through the presence of American musicians in military bands playing syncopated music. In the immediate post-war years, jazz took off in Italy. All American post-war jazz styles, from bebop to free jazz and fusion have their equivalents in Italy. The universality of Italian culture ensured that jazz clubs Billie Jean - Various - At The Terrace spring up throughout the peninsula, that all radio and then television studios would have jazz-based house bands, that Italian musicians would then start nurturing a home grown kind of jazz, based on European song forms, classical composition techniques and folk music.
Currently, all Italian music conservatories have jazz departments, and there are jazz festivals each year in Italy, the best known of which is the Umbria Jazz Festivaland there are prominent publications such as the journal, Musica Jazz. Malvina Reynolds recording s on which this song is performed: [none]. Smith and Nancy Schimmel. All rights reserved. Return to Song Menu Return to Home. Chorus It's governed by a council, All gentle souls and wise, They've only five dollars for armaments And the rest for cakes and pies; They didn't invest in a tommy gun Or a plane to sweep the sky, But they bought some blanks for their cap pistols To shoot on their Fourth of July.
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